![]() ![]() A little tweaking in mic positions, or choosing a different take of a particular cue will result in a different sounding musical fx or phrase. Each cue has been recorded in multiple takes and a selection of the best takes is available in this sample collection, providing the composer with a tool that has so much variety and editing possibilities inside that no sample from this collection will ever sound the same, thus preventing over-use or the feeling of recognition. This library includes full orchestral samples like: Long and short tension builders, sustained patterns, highly detailed textures in multiple styles and complexities, full orchestral hits and big smashes, chord bending, glissandi and crescendi. ![]() Each cue was recorded in a staggering 5 positions and each of these positions is 100% available for editing in the effective Sonokinetic user interface. What we did was create sections with full orchestral cues spanning 4 to 8 bars. Tutti opens a new world of rich cinematic orchestral sound and offers you a broad range of unique sounds with a character that is unmatched in richness and quality. It triggered a deep longing within us to create a tool series for scoring film in a way that just hadn’t been done before. Reaching to more recent composers, Michael Giacchino (Star Trek) and John Debney (Predators) are an inspiration for us as composers. We grew up with soundtracks like “Alien” by Jerry Goldsmith and Bernard Herrmann’s “Psycho”. ![]() (full version samplepool 7.36 GB sample content) Configure EQ and Stereo Modelling.Ģ850+ samples. Up to 5 takes recorded to give alternation and variation to your effects.įX at your fingertips. Mix Tutti specifically to your taste, per-cue. Pre-mixed ‘Tutti’ channel, Mic position channels and cue group channels. Suspense and dramatic compositions.ĩ channels available for you to mix with. Toccata FX: epic pipe organ random full register sound effect. Grand cassa, Tamtam, cymbals and anvil samples Percussion FX: various orchestral percussion hits. Primarily for epic coda composing.Īrpeggio FX: 70 various chord and melodic large orchestral harp improvisation.Īrpeggio Picked: Full range large orchestral harp multi sampled picked single note samples.Īrpeggio Runs: Large orchestral harp whole scale and diminished scale runs. Short cues with a variety of basic and complex full orchestral dynamic buildups. Tutti Tension builders B: cue extension for Tutti Tension builders A. Tutti Tension builders A: Short cues with a variety of basic and complex full orchestral dynamic buildups. ![]() Large variety in dynamic ranges, sections, fx and phrases. Tutti Random downward glissandi: Full orchestral dynamic downward glissandi. ½ step and ¼ step chord/tone random section bending. Tutti Long textures random bending: crescendo and diminuendo full orchestral dynamic phrases. Tutti Long glissandi with cresc: Full orchestral dynamic buildups for climactic scenes and scene transitions. Cluster chords and melodic complex improvisation dressing added to the overall dynamic buildup. Tutti Glissandi clusters with cresc: Full orchestral dynamic buildups for climactic scenes and scene transitions. Tutti Long textures: long extended textures with varying complexity and sections that combine patterns and musical fx in a single long performance. Random note choice with release and stop sound (damping with sustain) Tutti Hits with stops: Full orchestral and sections hits. Reversed in edit for a swoosh/swooping feel Tutti FX Reverse: Transitions and tension building full orchestral phrases. Sustained for 4 bars (80 to 120 BMP) with releases In a large variety of complexity and spheres. Tutti Cluster textures with release: patterns and random musical chord/melody clusters. Tutti Cluster sustained textures with release: patterns and random musical chord/melody clusters. Tutti Big Smash: full orchestral heavy hits and booms. Quality: 24 bit Frequency 48 kHz Channels stereoĭescription: Library of orchestral, cinematic effects and textures from Sonokinetic. ![]()
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